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lördag 7 januari 2012

What I forgot

 CHAPTER I.


Tom and the Andirons


It was perfectly natural in one respect, anyhow. There was really no reason in the world why Tom should not lie upon the great bear-skin rug in front of the library fire those cold winter nights if he wanted to, nor need anyone be surprised that he should want to. It was indeed a most delightful place to lie in. The bear-skin was soft and in every way comfortable and comforting. The fireplace itself was one of those huge hospitable affairs that might pass in some apartment houses in our narrow cooped-up city streets for a butler's pantry or small reception room—in fact in the summer time Tom used to sit in the fireplace and pretend he was in his office transacting business with such of his sister's dolls as could be induced to visit him there; giving orders to imaginary clerks and bookkeepers and keeping an equally fanciful office boy continually on the run. And then apart from the rug and the fireplace it was a beautiful room in which they were. Tom's father was very fond of books, and, although he was a great many years older than Tom, he had not forgotten how to enjoy the very same kind of books that Tom liked. He was not ashamed to have one little niche of his library filled with the stories which had delighted him in his boyhood days, and which still continued to please him, and, of course, this lent an additional charm to the library in Tom's eyes. It held his heroes, and on some of those drowsy nights when the only sounds to break the stillness of the room were the scratching of his father's pen, the soft humming of some little tune by his mother sitting and sewing by the evening lamp, and the fierce crackling of the burning logs, Tom could almost see these heroes stepping down from the shelves and like so many phantoms flitting in and about the room. In fact, upon one occasion, Tom is convinced he did see these very people having a dance upon the great tiled hearth—but of that you shall hear later.
From "Andiron Tales" from 1906, by John Kendrick Bangs and illustrations by Clare Victor Dwiggins.



My mind is not only simple — it’s tired. In the last post I forgot to write about the other simple books I’ve read this fall. Maybe beacuse I had forgotten the titles (I told you my mind is tired), and when I went over to Gutenberg to check the titles, I forgot what I was looking for, and I started to look at other interesting books!
So here I am with only a vague notion of what I’ve read, and what I thought about it. Yes, I remember that I read “The Enchanted Barn” by Grace Livingston Hill Lutz, but not what I meant to say about it. I’ve written about the author before, and I’m still not quite sure what I think about her. This time I kept notes while I read — notes that now are resting in my other computer. The men in her books are either unlikely gentlemanly, or terrible villans — while the the female protagonist is feminine and ladylike (and usually poor). It sure sounds as cheap pulp literature, doesn’t it?


One of the books I’ve enjoyed is “Dandelion Cottage” by Carroll Watson Rankin. The book was first published in 1904, but this edition was printed in 1977, and had rather modern illustration by Mary Stevens. They are not bad, but I don’t care for them.
I’ve never heard of the book before, but I understand that it is considered a classic — at least in the midwest where it take place. It’s a charming book, and I think I’ll read “The Cinder Pond“, by the same author, which also is available at Gutenberg.


I’m about to start reading “Andiron Tales” — so far I haven’t read much more than the paragraph above. If the rest of the book is as delightful as the beginning, I will not be disappointed.

onsdag 13 januari 2010

A good book?


"Say, now, you needn't be afraid! Nobody'll getcha here! I know how to bluff 'em. Even if a policeman should come after yeh, I'd get around him somehow, and I don't care what you've done or ain't done, I'll stand by yeh. I'm not one to turn against anybody in distress. My mother always taught me that. After you've et a bite and had a cup of my nice tea with cream and sugar in it you'll feel better, and we'll have a real chin-fest and hear all about it. Now, you just shut your eyes and wait till I make that tea."

Jane Carson thumped up the pillow scientifically to make as many of the feathers as possible and shifted the little flower-head upon it. Then she hurried to her small washstand and took a little iron contrivance from the drawer, fastening it on the sickly gas-jet. She filled a tiny kettle with water from a faucet in the hall and set it to boil. From behind a curtain in a little box nailed to the wall she drew a loaf of bread, a paper of tea and a sugar-bowl. A cup and saucer and other dishes appeared from a pasteboard box under the washstand. A small shelf outside the tiny window yielded a plate of butter, a pint bottle of milk, and two eggs. She drew a chair up to the bed, put a clean handkerchief on it, and spread forth her table. In a few minutes the fragrance of tea and toast pervaded the room, and water was bubbling happily for the eggs. As cosily as if she had a chum to dine with her she sat down on the edge of the bed and invited her guest to supper. As she poured the tea she wondered what her co-laborers at the factory would think if they knew she had a real society lady visiting her. It wasn't every working girl that had a white satin bride thrust upon her suddenly this way. It was like a fairy story, having a strange bride lying on her bed, and everything a perfect mystery about her. She eyed the white silk ankles and dainty slippers with satisfaction. Think of wearing underclothes made of silk and real lace!
From "Exit Betty" by Grace Livingstone Hill
.
It must be more than ten years ago I found a book that once belonged to my grandmother, in one of our bookcases: "The Golden Shoe" by Grace Livingstone Hill. I was captivated by her way of telling the story — just as I am today when I read one of her books I found at Gutenberg, "Exit Betty". I find it fascinating that Grace Livingstone Hill could write so many books, with a very similar plot, and still make it interesting. You know from the first paragraph what will happen — but never the less you read on because you want to know why things happen and how it will be straighten out. Because you know from the beginning that there will be a happy end.
It's a black and white world — the good guys are very good and the bad guys very bad. Rich people and poor people — very often the rich, often spoiled, girl finds her way to God thanks to a poor woman.
Personally I find the author's description of poor people more believable than that of the upper-class. I find her at her best when writing about everyday domestic situations.
I wouldn't call those books good literature — but what do you call a book that captivates you from the first paragraph? A good book?